May 26

And the winner is…..

In my last post I announced my giveaway of  this Agate bracelet and earring set. In total I had 12 qualifying entries.

Fantasy Agate bracelet and earrings - Copyright Helen White

Fantasy Agate bracelet and earrings – Copyright Helen White

 

Competition entries - copyright Helen White

Competition entries – copyright Helen White

And as you can see I didn’t use a random number generator but old fashioned paper, scissors… and our rather reluctant cat.

As you can see Bobby is not super co-operative..Copyright Helen White

As you can see Bobby is not super co-operative..Copyright Helen White

We tried our best with her, in the end she had her paw on a piece of paper with the winner on it – she’s a cat after all and has no opposable thumbs.

Husband explaining to the cat what to do....copyright Helen White

Husband explaining to the cat what to do….copyright Helen White

 

Bobby choosing the winning entry - clue- it's under her paw. Copyright Helen White

Bobby choosing the winning entry – clue- it’s under her paw. Copyright Helen White

So with no further ado – the winner Bobby’s paw was placed on – by herself I might add – is

 

The winner is... - copyright Helen White

The winner is… – copyright Helen White

.. drum roll … Cathy Dickinson.
The bracelet and earring set is now on its way to her and I hope she likes wearing them.
Thanks to everyone who entered the competition. And please stay subscribed for special offers and announcements and gift voucher giveaways.

Thanks for reading, and please feel free to comment, share or subscribe here.

May 02

Do you want to win a pretty Agate bracelet and earring set? Then read on..

This month I am celebrating my birthday and thought I’d run a little competition.

Fantasy Agate bracelet - copyright Helen White

Fantasy Agate bracelet – copyright Helen White

What can you win?
This bracelet and earring set worth £23. It is handcrafted by me with plated silver beads and Fantasy Agate coins which vary slightly in colour and are rather pretty. The bracelet closes with a toggle clasp and is approximately 7,5 inches long and fits a slender wrist. The matching earrings hang on continental ear wires.

Fantasy Agate bracelet - open - copyright Helen White

Fantasy Agate bracelet – open – copyright Helen White

Matching earrings - copyright Helen White

Matching earrings – copyright Helen White

What have you got to do to win it?
Simply:

1. Sign up to my newsletter here. You will also receive a 10% discount voucher and have the chance to win a £10 gift voucher.
2. Share on social media
3. Comment on the blog or on my FB page

Please note that this competition is only open to residents of the UK who are aged 18 and over. The competition is in no way endorsed or associated with Facebook.

 

Deadline: The winner will be drawn on May 26th 2015 

Good luck everyone. :)

Mar 30

Polymania 2015, Day 3

In the final part of my Polymania blog post I share with you my experience of learning from polymer clay artist Donna Kato.
Sunday was the final day and the workshop started at 9 am instead of 10 am – mainly because the tutors worried about the time and how long we can use the ovens for. So we had to make sure we arrived in time – thankfully the traffic was not bad on a Sunday morning.
Unfortunately Emily fell ill on Sunday and wasn’t there to help, but Cara recruited two lovely ladies, Fiona Abel-Smith and Angela Smith, to condition all my clay! Not only did they condition all clay, but they actually laid it out on poly pockets and marked which piece was to be used for which part of the project. This made it very easy for me to work.

My table with canes

My table with canes. – copyright Helen White

Donna’s projects were two pretty, big and rather chunky rings – I don’t really wear rings and certainly not chunky ones. Most rings won’t fit me unless I make them myself. My hands are often either claying or doing other things, so I don’t wear rings unless I go out on special occasions. My engagement still doesn’t fit (my fingers are skinny, unfortunately the rest of me isn’t).
Anyway I digress. Donna’s impressive rings were both made using the same components. And making those components obviously takes a long time. I have never been taught by Donna before – but I have her books and she kindly signed both for me. I often struggled to follow her instructions in the book, because I am never sure how big the canes are and how much clay you really need. So it was really a revelation when she showed us her caning technique. The secret to the way she works is simple: keep it small. Her canes don’t require as much clay and they are indeed small – great for storing, easier to assemble and reduce. Her way of creating skinner blends is also really easy. Donna’s teaching style can be described in one word: fun. She is a funny lady and she is very patient – didn’t mind people taking photos and it was good to listen to her explanations. It’s one thing learning it all from the book, but actually seeing her in action is another thing. I  have bought one of her own CraftEdu tutorials ages ago and really should find the time to crack on with it.

Donna Kato

Donna Kato – copyright Helen White

As you can see I took a few photos to show you Donna in action and her beautiful canes. I like her approach to clay. While she was teaching us all she talked about her horses and why she loves claying and prefers it to lampworking.

Donna conditioning some clay.

Donna conditioning some clay. – copyright Helen White

All the canes for the rings required skinner blends, but some of them were created in a slightly different way. She showed us how to reduce each cane. The components for the donut ring were: a bull’s eye cane, an elaborate triangular cane, tiny bull’s eye canes and a leaf cane. I also added a tiny jelly roll cane.

Some of Donna's neat canes

Some of Donna’s neat canes – copyright Helen White

Time was ticking though and we all had a tough time keeping up and finishing our pieces. Before lunch she showed us how to create the donut shape and assemble all cane components, insert the grommets and assemble the ring.
After assembling the donut beads they went into the oven and we went to lunch.

Donna showing me how to reduce one of the canes

Donna showing me how to reduce one of the canes – copyright Helen White

The finished donut ring

The finished donut ring – copyright Helen White

After lunch we continued with ring number two, which was created differently. It’s a nifty design which allows you to change the top which is glued onto a big popper. So you keep the same ring band but you can take the ring off and change it for a different design. I bought lots of grommets and one bag of these poppers of Donna so I can make another one with different colours and canes. Donna also showed us how to make a zipper cane which forms the band on the bottom of the second ring.

The finished domed ring

The finished domed ring – copyright Helen White

Time really flew by, and I even managed my migraine with strong painkillers. At the end of this weekend all participants came away with a goodie bag, lots of beads, a beautiful pendant, a lovely statement necklace and bold impressive rings.

Workshop certificate

Workshop certificate – copyright Helen White

I think we finished at about 5 pm and started packing up. I managed to buy some extra clay and tools from Penny Vingoe of Clayaround so I have now some Kato clay to play with. And because I was so busy I forgot to ring my husband to ask him to pick me up. This meant he arrived at about 7.30 pm! In the meantime I helped Cara, Bettina and Donna to tidy up the room and pack away all ovens. And finally I got my photo with all tutors and myself – courtesy of Cara’s husband.

Group photo: Cara Jane Hayman, Donna Kato, Helen White, Bettina Welker

Group photo: Cara Jane Hayman, Donna Kato, Helen White, Bettina Welker – copyright Helen White

All in all this was a very productive and enjoyable weekend.
There were only a few things I didn’t like:

  • The room was too hot, which made it sometimes unbearable to work in and might have contributed to my migraines.
  • Though all projects were lovely – they were time consuming to create and it felt like being rushed to get it all finished in time. It was a bit like a marathon. I think maybe projects which take half a day and more time to play with techniques and socialise would be nicer.
  • Being stuck at the same table for three days isn’t so great. I would have loved to get to know more people in the room. Some of my FB friends were sitting in different groups and I could only briefly talk to them.
  • Maybe doing the bead swap as part of a get-to-know-each-other on the first day would be better.
  • In hindsight I should have stayed in the hotel – the reason I didn’t was really a financial. I was lucky enough to be able to pay for the workshop itself. Driving back and forth from Cardiff to Bristol each day not only took it out of me, but also my poor husband, who had to do this every day. He should have got a discount at the toll bridge!! Staying in the hotel would have meant to be able to socialise more with the other participants, because this is really one of the reasons why you go on a workshop like this.

 

I think if I attend another workshop I would opt for a two-day one.

I hope you enjoyed reading this blog post. Please feel free to comment and share. And don’t forget to subscribe to my newsletter here.

Mar 28

Polymania 2015, Day 2

This is the second part of a three-part review of the Polymania event in Bristol (13-15 March 2015).
On Saturday we managed to get to the hotel in time and on this day our group was taught by Bettina Welker ,who showed us how to create her swivelling necklace. Just like Cara’s style, Bettina’s designs are instantly recognisable by her colour palette, the often geometric shapes, the way she finishes her designs and the careful construction. I wasn’t sure about this project when I saw the photo in the workshop advert, but creating it  wasfar  easier than Cara’s pendant. Before she showed us the first steps to create the separate pieces, she told us that she didn’t want anyone to take photos (or film) of her teaching – her main reason being that she didn’t want this circulating on the internet. Bettina obviously spoke from bad experience with copyright infringement and I certainly sympathise with that. From a student’s point of view I thought this was actually good, because it is annoying when people click away or film and are in your view and you can’t see the demonstration! Bettina allowed us to take photos of her project notes. I didn’t do this, but my friend Valerie Anderson did and e-mailed them over to me.

Necklace with moving parts - copyright Helen White

Necklace with moving parts – copyright Helen White

For the project we mainly had to create skinner blends in different colours and use texture plates. I also managed to finish the back of Cara’s pendant. While the pieces were in the oven, Bettina showed us how to make the striped canes for the buttons and how to use silver foil. Mine didn’t work well as the foil didn’t come off easily and because these pieces needed to be drilled later I made a few more buttons then needed – just in case. This was a good idea as I could share them out to anyone in our group who needed those spare buttons. We also had to paint the baked pieces with special oil paint which dries quickly when baked.
I spent the lunch break at the tutor’s table and was able to talk to Donna and get to know her a little.

Donna Kato, Cara Jane Hayman and Bettina Welker

Donna Kato, Cara Jane Hayman and Bettina Welker – copyright Helen White

After lunch Bettina showed us rather quickly how to create the fastening bit for the Buna cord, this required the use of a popper. She actually prefers magnets as a way to secure the buna cord, but magnets of that size are hard to come by and the buttons were a cheaper alternative.
Once these pieces were baked it was time to use the drill. Not everyone had drill bits (I certainly didn’t) so we had to share one at our table between 7 people.
All the while it got hotter and hotter in the room. I actually had a migraine and asked for some ice cubes, which I stuck into the back of my neck!
I think I finished the project at about 7 pm, when my husband arrived. All in all I like the look of this necklace, though because I rushed the gluing a little I wasn’t careful enough and the glue showed on the buna cord. I tried rubbing it off with alcohol which didn’t work and painted over it with permanent marker. I already have ideas in my head of how to change the necklace and make it my own design. I also had to carve bits out which surrounded the popper, because I couldn’t close it at first.

Necklace with moving parts - detail

Necklace with moving parts – detail – coyright Helen White

The only thing I missed was a handout. Cara and Donna had handouts – we were also given a nice pen and a proper little notebook to make extra notes. Though I was far too busy to jot anything down! When you work against the clock you really can’t write stuff down. I also haven’t been able to take many photos and the light in the room wasn’t really good for photos.

45 nautili for the bead swap. -

45 nautili for the bead swap. – copyright Helen White

After 7pm we all shared our beads we made for the bead swap. This was rather time consuming as we had to find all people on the list who joined the swap and tick them off the list. I think this took over an hour! I ended up with 43 or 45 beads – and some beautiful beads too.

Beads from the bead swap

Beads from the bead swap – copyright Helen White

 

I also introduced my husband to Donna and they ended up having a long discussion about politics and the state of the world. After a fairly uneventful drive home I ended up checking my goodie bag, which we received in the morning, and all the beads. And then it was time for bed.

Goodie bag

Goodie bag – copyright Helen White

Goodie bag - content

Goodie bag – content -copyright Helen White

I hope you enjoyed reading this second part of my impressions of the Polymania event. Please feel free to share, comment – and don’t forget you can also subscribe to my newsletter here.

Mar 27

Polymania 2015, Day 1

Two weeks (13-15.3.2015) ago I took part in the polymer clay event “Polymania” at the Mercure hotel in Bristol. The event lasted three days and was meticulously planned and organised by my friend and fellow polymer clay artist Cara Jane Hayman.

Cara Jane Hayman

Cara Jane Hayman in front of her table – copyright Helen White

Cara is an experienced clayer and has been claying for way longer than me. She teaches her polymer clay techniques in workshops and also demonstrates on behalf of Decoman, the company behind the Kato clay brand. When she told me at the beginning of last year that she was planning this event and invited Donna Kato to teach I started saving up. I didn’t want to miss the opportunity to meet one of the leading polymer clay artists, who also has managed to build a nice polymer clay empire. Donna has developed the Kato clay and other nifty products such as the Marxit tool for measuring and marking clay. She is also the founder of the website CraftEdu where crafters from all over the world teach various crafts not just polymer clay. Cara also invited Bettina Welker, whom I first met in 2012 during the Polydays (organised by Alison Gallant). (I have written about this event and you can find the post here.) The prospect of learning from three awesome teachers really spurned me on to get the money together.

Notebook and projects

Notebook and projects – copyright Helen White

My only concern initially about the event was my health and how I would manage conditioning Kato clay, which has the reputation of being really tough to condition. I have never used this clay before. Kato is the preferred brand by clayers, who specialise in intricate canes and also has a higher curing temperature (150 C). So far I haven’t done much intricate caning, due to me experimenting mostly with various surface techniques using Mica powders, gilders paste, glitters and texture plates. Last year I bought a motor for my pasta machine which makes it far easier for me to condition the clay, but for pretty obvious reasons (it’s noisy) I couldn’t bring the motor. I needn’t have to worry, because Cara had thought of everything and had a lovely assistant, her friend Emily Ketteringham, who helped her with the registration of the participants, tidying around and making sure the hotel’s carpet stayed clay-free, taking care of all ovens and also conditioned clay for me.
Concerns wiped aside I packed all my tools and anything that was listed in Cara’s e-mail for each individual workshop, though I didn’t have a few things such as a 4mm drill, so I had to borrow those.

Bag with tools

My bag with almost all tools – copyright Helen White

After a long and confusing drive to the Mercure (we got lost several times despite or because of the Satnav borrowed from my parents-in-law) I arrived and was given my name badge.

Name badge

Name badge – copyright Helen White

 

I then entered the room and looked for familiar faces from Facebook, because a few of my FB friends were there and it was an opportunity to meet them in real life. I liked the look of Cara’s project the most and wanted to start with this one first, so I found her group. She calls it a Kimono Curl pendant as it does resemble a kimono.

Cara's table with some pendants

Cara’s table with some pendants – copyright Helen White

I have never been taught by Cara so this was an interesting experience.
After everyone sat down, she briefly told us all a few things we could expect in the three days and some house rules – like taking care that we pick up clay from the carpet (it does stick to it when you tread on it and it’s difficult to get off). And then each tutor started to teach their group.
During the morning Cara went through the various steps of her pendant project rather quickly, so it was tough for beginners to keep up. Thankfully she was super patient with everyone and helped us. The hardest bit when you create detailed canes is really the stage when you reduce the cane. For non-clayers: reducing means lengthening the cane and making it smaller, as you usually end up with a rather big cane to start with once the components are stuck together. Cara’s project consisted of two complex, but very pretty and effective canes. And making these really took up all morning and part of the afternoon. After lunch she slowed down when she showed us each step, which made it easier to follow. Once we all made our canes and reduced them it was time to assemble the actual pendant – cutting out the shape and placing the components on it for the first bake – on a light bulb. A good reason not to bin old light bulbs is really – they make very useful tools for claying!

Finished canes

Finished canes – copyright Helen White

After the first bake she showed us how to create a pretty looking back for the piece and a bail. Unfortunately I didn’t get to that stage and finished my pendant the next day in Bettina’s class.
Why I couldn’t finish it in time? Well my husband rang me in the late afternoon to tell me he had an accident and sounded rather shaken. This obviously left me a bit shaken too. I didn’t know what exactly happened, but worried about him picking me up and how to get to the workshop the next day. So I told Cara. And she and Emily were trying to help me and come up with solutions – such as staying with someone in Bristol or taking the train home. In the end I rang him and told him I would take the train, but he was adamant that he picked me up and in the end it was not as dramatic as I feared. All this though meant I lost time to clay. And it showed off Cara’s crisis management skills.
In the evening we all went to a place called ZaZa Bazaar – for a group meal. It was a massive market hall with lots of different stalls offering Chinese, Italian, Japanese, Mexican and other types of food. As it was an all-you-can-eat buffet (the only restriction was the time we were allowed to stay) I ended up eating a little too much.

Finished pendant

Finished pendant – copyright Helen White

We were all pretty tired I think. I know I certainly was and at about midnight I finally collapsed into our bed, just to wake up at 7 am again to drive back to Bristol.

Pendant -detail

Pendant – detail – copyright Helen Whire

I hope you enjoyed this post. Part 2 will follow shortly. So keep your eyes peeled. And don’t forget to comments, share and subscribe to my newsletter. You can subscribe to the newsletter here

 

Feb 25

Thoughts about Mother’s Day

It’s that time of year again when businesses are gearing up for Mother’s Day. In the UK it falls on the 15th of March this year, while in countries like America or Germany it’s on the 10th of May.
It’s a day when mothers are celebrated by their loved ones. Small children in particular are encouraged to show their mums how much they love and appreciate them by giving them gifts which tend to be handcrafted at school or kindergarten.
For some people, including myself, Mother’s Day is a day they dread. You can’t escape the ads, the marketing messages and articles written in the run-up to the day. Why am I dreading it? My mum died in 2006 at the young age of 53, so I haven’t got a mother to indulge, though not a day passes by that I don’t think of her. And I don’t have children of my own – unless you count our fur baby Bobby as one (and yes I tend to do that). I lost my only chance at motherhood two years ago when I miscarried and it was a pretty unpleasant and traumatic experience – one I would love to simply forget, but am reminded of on occasions like Mother’s Day.

And there are a lot of women who feel that way. Women who lost their mums or/and their babies.
However – as a business woman I can’t bury my head in the sand and ignore this day which is celebrated by a lot of families. And I also have to remind my husband to make sure to buy a gift and card for my mother-in-law! I tend to buy cards in advance so he only needs to sign them and doesn’t panic because he has forgotten.
This year I have created a little film with a selection of suitable gifts adult children can give their mothers to show them their love. And no, they won’t have mum written on them or sentimental messages.

You can find the film here:

 

This year I am actually taking part in the three-day workshop “Polymania” in Bristol, which is organised by my friend Cara Jane Hayman, a very talented polymer clay artist. The workshop finishes on Mother’s Day, which means I am way to busy playing with clay to feel sad. I am actually really looking forward to that weekend, as not only Cara will be teaching, but also German polymer clay artist Bettina Welker and American artist Donna Kato. I own two books by Donna and she is one of the big names in the polymer clay community – so I am really excited to finally  meet her! Donna is not only a prolific artist, she also has her own brand of polymer clay named after her: “Kato” clay. I haven’t used this clay yet, but will us it  in the workshop. Kato clay is the preferred clay by artists who create very intricate canes and it cures at a much higher temperature – 150 C.
I will let you know how the workshop went in another blog post (probably it’s going to be a three part post).

 

Purple and black polymer clay nautilus pendant - copyright Helen White

Purple and black polymer clay nautilus pendant – copyright Helen White

Anyway I wish those of you who will be able to celebrate Mother’s Day a Happy Mother’s Day.  And to all the women out there who are in a similar situation like me I say: You are not alone and feeling sad is ok. ((Hugs))

I hope you enjoyed reading this post. Please feel free to share or comment below. And don’t forget to subscribe to my newsletter here.

Feb 18

Do you observe Lent?

Today is Ash Wednesday, which marks the beginning of Lent, when Christians start to fast. Lent  lasts about 6 weeks until Easter and commemorates the 40 days Jesus Christ spent fasting in the desert where he endured the temptation of the devil. You can find more about this tradition following this link. Interestingly the word Lent derives from the Germanic root for long  – as Lent also marks the beginning of Spring and the days are getting longer.
If you are of Christian faith I am not telling you anything new here, and I also appreciate that you might have a different faith or are an atheist. Most people regardless of faith are aware of Lent and for some it marks the perfect occasion to give up something they take for granted and enjoy in their daily lives. It could be that you are starting to fast, give up alcohol, sweets or fags and so on.
So I was thinking what would or could I do which would fit the bill?
I don’t drink or smoke, but I do like sweets. So giving up chocolate, biscuits and my favourite sweets would be an obvious choice for me. For the business side of things – it would be stop buying more beads! I am sure I can manage the latter, but giving up sweets will be tough, mainly because my husband loves his biscuits and therefore there are always some in the house! So there’s always temptation lurking in the tin. But I am determined to try until Easter.
So if you observe Lent (regardless of faith) – what are you prepared to give up?
Let me know below in the comments :)
And don’t forget to subscribe to my newsletter.
Thanks for reading.

Polymer clay landscape pendant: Cave and Sea - copyright Helen White

Polymer clay landscape pendant: Cave and Sea – copyright Helen White

 

Feb 08

10 good reasons to subscribe to my newsletter.

As you might have guessed from the headline I have a newsletter. If goes out monthly (with the rare email in between) and it is a great way to stay in touch with me for those people who don’t give a hoot about social media – and those who rarely see my various pages on Facebook and Google+.
I am always super happy when people subscribe to it. And if you haven’t yet, maybe it’s because you worry about getting spammed or that I sell your details to a third party. Let me reassure you – neither is the case. Spamming would mean I would have to write to you almost every day – but frankly I wouldn’t know where to find that extra time. I hate spam as much as you do and have the same worries when I sign up for things. My guarantee to you when you sign up: your details are safe and what’s more you can unsubscribe easily either using the unsubscribe button on the email or on my website or on this blog. Of course I will be sad when you do leave my list, but I won’t lose too much sleep over it. You might come back at another time.

So with this out of the way – I want to give you 10 good reasons why you should subscribe:

1. You will receive exclusive offers or discounts
2. You will find inspiration for gift ideas for those people in your life, who are difficult to buy for.
3. When you sign up you will get a 10% discount code to use for your first order.
4. You will enter a draw for a £10 gift voucher (valid for a year) – and the winner will be chosen after every 100 people who have subscribed.
5. You get an insight into how I create my designs.
6. You get an update of my blog posts.
7. You will be the first to see my new designs.
8. You will learn about some of the materials and semi-precious stones I use.
9. You will get a monthly update on my latest designs.
10. I respect you and your inbox – I promise you not to spam you.

And this is it – my 10 reasons why you should subscribe to my newsletter.

Thanks for reading – oh and if I was able to convince you – here’s the link to subscribe to my newsletter.

Bobby - copyright Helen White

Bobby – copyright Helen White

Jan 28

The making of…New polymer clay designs made with ultrafine glitter

This month I have finally got back to my bench (or rather craft table) and tried out a new type of glitter I bought a while ago. I have never worked with glitter before – only Mica powders which you rub on or into the clay. These new glitters are absolutely gorgeous in colour, blend in nicely and you can go for a light sparkle or rub them in so they resemble anodized metal.

Cat pendant - copyright Helen White

Cat pendant – copyright Helen White

The glitters arrived in bags, so I bought small jars and poured the glitter in and put numbers on them – because if you want to blend them subtly you need to use them in sequence. I did this for this first batch, but changed things and experimented with the next (which is still a work in progress). One jar was designated for leftover glitters, as these glitters are not cheap I make sure not to waste too much and used a piece of white paper underneath my clay.

Pendants after first bake - copyright Helen White

Pendants after first bake – copyright Helen White

I first created my clay sheets and brushed the glitters on. The next step was to create a base clay layer (so the pendants and brooch are not too thin) with a nice texture for the back. I then covered the base sheet with the glitter sheet and used my cookie cutters (I bought some new cute cat and dog cutters when I was in Cologne) to cut out my shapes. After another gentle rub over the glitter sheet and checking over each piece they all went in the oven.

Lying cat pendant - copyright Helen White

Lying cat pendant – copyright Helen White

The next step after baking was to glue the brooch back to the butterfly and attach my signature canes to the back of all pieces. I waited for the glue to dry long enough and covered it with textured clay and then all pieces went back in the oven again. After this final bake I glued the bails on and varnished each piece several times on the back and front.

Butterfly brooch front - copyright Helen White

Butterfly brooch front – copyright Helen White

Butterfly brooch back - copyright Helen White

Butterfly brooch back – copyright Helen White

And finally I assembled the chains for the pendants. You can buy ready-made chain, but I have found the quality of the fasteners often very  poor  and they were difficult to open and close, so I tend to use bigger lobster clasps which are user friendly.

Cat pendant - copyright Helen White

Cat pendant – copyright Helen White

And that’s it – my glitter collection.

Sitting cat pendant - copyright Helen White

Sitting cat pendant – copyright Helen White

I hope you like it – I made my first slideshow with these pieces.


You can buy all these new items on my website by following this link

Thanks for reading – and don’t forget to share or leave a comment.
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Jan 22

My first dragon sculpture

One of the things on my long to-do list this year is to devote time to sculpting with polymer clay. As a child I used to enjoy pottery with my very talented grandmother. She used to make not only pots, but also sculptures for her big garden and her house. One of my favourite sculptures she made was a fairly accurate likeness of Jethro Tull frontman Ian Anderson, standing on one leg while playing his flute. It was a gift for my uncle who was obsessed with Jethro Tull. He used to play “Locomotive Breath” a lot on the piano and listened to the red album (can’t remember the name – it’s a double album) a lot.
Working with clay requires a massive kiln and my gran used toattend pottery classes where they would fire her sculptures. Unfortunately later in life I had not many opportunities to work with traditional clay, so when I discovered polymer clay and its versatility I was chuffed to bits. You don’t need a kiln – use your oven or in my case a dedicated table top oven.

I made this cat with clay in 1997 - copyright Helen White

I made this cat with clay in 1997 – copyright Helen White

There are a lot of very talented clayers out there who specialise in creating sculptures – most of them tend to be on the small scale side – like Kirsten Miller’s cute and quirky mice. Check out her work at Quernus Crafts. Kirsten has now a huge following and her mice are a big hit with customers all over the world. She also create lots of other cute creatures. On the other end of the spectrum you have accomplished artists like Adam Thomas Reese who creates (almost) life size animal sculptures which he covers with intricate cane work. He uses a lot of clay! You can find his amazing work here.
But I totally digress…Two weeks ago I was asked by friends of mine if I could make a purple dragon  for a good friend of ours. Of course I said yes, it was the much needed kick in the proverbial to finally spend some time sculpting. And as luck would have it I had two dragon tutorials written by Birdy Heywood. I bought these ages ago and then forgot about them. Unfortunately I had the colours I needed only in Premo, not in Fimo. Fimo soft seems to be better for the job, though I haven’t tested that out yet. I do love working with Premo as it is non-sticky and leaves little residue on my pasta machine rollers which are a  pain to clean when you use Fimo!

Dragon front view - copyright Helen White

Dragon front view – copyright Helen White

 

Dragon looking up - copyright Helen White

Dragon looking up – copyright Helen White

Creating the dragon took a while, as I tried to figure out the instructions – and I used different instructions for the wings which are made with a striped cane. The hardest bit was actually attaching the ears, due to the clay being a bit stiff!

Dragon back view - copyright Helen White

Dragon back view – copyright Helen White

The resulting dragon with her floppy ears resembles a little puppy – but my friend Bronya was delighted when she received her.
Next time I will attempt a cat, might use Fimo for comparison and freestyle it. Instructions are useful, but sometimes it’s better to figure things out by yourself.

Dragon side view 1 - copyright Helen White

Dragon side view 1 – copyright Helen White

I hope you like this yet un-named little dragon.

Dragon side view 2 - copyright Helen White

Dragon side view 2 – copyright Helen White

Thanks for reading
And don’t forget to comment and share.

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